The issues are more interesting than the characters, though Simien provides a welcome and fairly trenchant [film].. This comic fantasy is the best vehicle he's ever had, a high-concept goof that gradually darkens into an emotional nightmare reminiscent of Capra.. The best moments get to the heart of Simien's thesis that what is supposed to be post-racial America isn't all that much different from what came before.. Cleverly conceived but conspicuously unfunny.. The pitch on Dear White People is ...
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